Amy MacKay
Works
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A Longing in Me, 2024
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Act III, 2024
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All the Closer, 2024
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Black Wing, 2024
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By the Bog, 2024
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Come Away With Me, 2024
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Dark Sprung Miracle, 2024
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Darkling Dew, 2024
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Fierce Hard to Enjoy Darkness, 2024
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Goodbye, Sweetheart, 2024
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He Spoke So Softly, 2024
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Hester’s House, 2024
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Hidebehind, 2024
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I Burnt the Bed and the Whole World Went Up in Flames, 2024
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In Flames, 2024
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In Mortal Form, 2024
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In the Flames Watching Her, 2024
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Last Dance, 2024
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Learned Too Late it was You and Only You, 2024
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My Darling One, 2024
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My Song, 2024
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One Savage Moment, 2024
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Other Bride, 2024
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Proud Mother, 2024
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Some Fierce Wrong, 2024
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Sunrise or Sunset, 2024
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Swane, 2024
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The Gift of Seeing, 2024
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The Prophet, 2024
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There’s ways round curses, 2024
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Wedding Feast (Carthage and Caroline), 2024
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Wedding Feast II, 2024
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Where the Best Bog Rosemary Grows, 2024
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Wild Talk, 2024
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Without Wings, Without Care, 2024
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... a silent praise or prayer, 2023
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Chamber, 2023
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Chorus Dream, 2023
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Coronis (This close to dirt, my face at rest), 2023
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Curtains, 2023
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Medusa, 2023
Biography
Amy MacKay (b. 1985 Sonoma, California) is an artist and educator based in Los Angeles. Generating
work through a multi-step translation process, she stages group events, and, drawing from written,
photographic, and interview documentation, records the experience as paintings. Within this collaborative
exchange, she uses translation to explore the gaps and mutations formed across a shared experience
over time. Residual feelings and mutations are privileged over the recognizability of the image. It is a
process that is highly physical, almost gymnastic, as additive and subtractive mark making trace her
working memory. It comes back to process; what is the interaction between past and present? And how
do images create absence?
MacKay received an MFA from UC Irvine in 2018 and a BA from Bard College, New York in 2007. She
has exhibited in numerous solo and group exhibitions in spaces such as Phase Gallery, Baert Gallery and
the Honolulu Museum. She has received numerous awards, notably the Jon Imber Painting Fellowship
and Leo Freedman Fellowship.
@thisisamymackay
work through a multi-step translation process, she stages group events, and, drawing from written,
photographic, and interview documentation, records the experience as paintings. Within this collaborative
exchange, she uses translation to explore the gaps and mutations formed across a shared experience
over time. Residual feelings and mutations are privileged over the recognizability of the image. It is a
process that is highly physical, almost gymnastic, as additive and subtractive mark making trace her
working memory. It comes back to process; what is the interaction between past and present? And how
do images create absence?
MacKay received an MFA from UC Irvine in 2018 and a BA from Bard College, New York in 2007. She
has exhibited in numerous solo and group exhibitions in spaces such as Phase Gallery, Baert Gallery and
the Honolulu Museum. She has received numerous awards, notably the Jon Imber Painting Fellowship
and Leo Freedman Fellowship.
@thisisamymackay
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